| EDUCATION |
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| 1977-1979 |
Yale University, School of Art and Architecture,
M.F.A. (Painting). |
| 1973-1976 |
City University of New York (Queens College), B.A. |
| 1976 |
Skowhegan School of Painting and Sculpture, Skowhegan,
Me. |
| 1972-1973 |
City University of New York (Hunter College). |
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| SELECTED EXHIBITIONS AND SITE WORKS |
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| 1999 |
HongKong Bank of Canada Bldg., Vancouver, B.C.;
Local 891 I.A.T.S.E. Group Show. |
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| 1994 |
Level II Gallery, N. Vancouver, B.C.; Group Show. |
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| 1997 |
Havana Gallery, Vancouver, B.C.; Secret Life of
Film Crews. |
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| 1993 |
Vancouver East Cultural Center Gallery, Vancouver,
B.C.; Felt Sculpture Exhibition. |
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| 1992 |
Community Arts Council Gallery, Vancouver, B.C.
Felt Sculpture Exhibition, Sacred Manifestations/The Felt Image. |
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| 1990 |
Foundation for the Indians, Nayarit, Mexico; Felt
Sculpture and Clothing Exhibition. |
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| 1990/1991 |
Hornby Island Community Hall, B.C.; Every Woman’s
Art Exhibition. |
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| 1987/1989 |
Hornby Island Community Hall, B.C.; Felt Exhibition. |
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| 1987-1990 |
Passage
to Primordial Time; a series of sculptures (stone, fiber,
and wood), earth/body works, fire rituals executed in several
locations: Baja Ca., Nayarit, Mexico, Arizona and New Mexico,
and British Columbia. |
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| 1985 |
EXPO ‘86, Vancouver, B.C.; sculpture, graphics,
and photo montages for the British Columbia and Northwest Territories
Pavilions. |
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| 1984 |
Solar Ladder; site sculpture, prism-shaped cave
in a black slate quarry illuminated by large rectangular mirrors
(aligned at entrance) reflecting the sun’s rays into the center
of the cave in the form of a “light ladder” which arcs across
and out of the cave as the sun arcs across the sky, West Pawlet,
Vt. |
| |
| 1983 |
Water Lens/Drum; sculpture/ritual, a 6 1/2” diameter
clear membrane stretched over a steel hoop supporting in its center
a 3’ diameter bead of water (lens), suspended over a huge water-filled
pothole in the middle of an ancient glacial river, Sooke River,
B.C. |
| |
| 1983 |
Arc/k;
sculpture/private ritual, Rogue River lava tube lit with a horseshoe
magnet formation of white candles suspended from the tube at twilight,
Crater Lake National Park, Oregon. |
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| 1982 |
Sculpture Center, N.Y. Personal Iconography Exhibition,
drawings, photo/text documentation and model for site work, Moonbowl. |
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| 1981 |
Nassau County Museum of Fine Art, Roslyn, N.Y.;
individual exhibition of sculptures, models and photo-text documentation
of site work. |
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| 1981 |
Grey Art Gallery of New York University, N.Y.; Second
Annual Heresies Benefit Exhibition, photo/text documentation of
earth work, Geometry of Echoes Converge. |
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| 1981 |
Table
of Noon/Mat of the Moon; site sculpture/public ritual, an
abandoned concrete foundation of a house nestled in a grove of
trees on which was laid a circuit of candles on mirrored aluminum
sheeting, a sand path for performers to meander through, lighting
the candles consecutively with torches, synthesizer music by John
Watts accompanied the ritual, Ward’s Island, N.Y. |
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| 1980 |
Geometry of Echoes
Converge; earth work, 3 large sand/gravel mounds (38’ dia
x 12’ high) placed in a central axis line at the bottom of a rectangular
basin (200’ x 400’ x 35’ deep), Dept. of Transportation Reservoir,
Old Westbury, N.Y. |
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| ORGANIZATION/PRIVATE GRANTS/IN-KIND
CONTRIBUTIONS |
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| 1982 |
Artists Space, Committee for the Visual Arts, Inc.,
N.Y.; Emergency Materials Fund. |
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| 1981 |
National Endowment for the Arts; Visual Arts Fellowship
(Sculpture). |
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| 1981 |
Zelenda Machine and Tools Corp., N.Y.; In-kind contribution
of materials and services. |
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| 1980 |
Readsboro Community Council, Readsboro, Vt.; Permission
for use of land, donation of materials and services. |
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| 1980 |
New York State Department of Transportation, N.Y.;
Permission for use of Land, donation of materials and services. |
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| 1977/79 |
Ford Foundation, N.Y.; Special Projects Grant made
possible through Yale University, School of Art, Ct. |
| SCHOLARSHIPS AND AWARDS |
| 1979 |
Yale University, School of Art, Ct.; Helen W. Wintenitz
Honorary Award. |
| |
| 1976 |
Skowhegan School of Painting and Sculpture, Skowhegan,
Me.; Fairfield Porter Memorial Scholarship. |
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| PUBLICATIONS |
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| 1983 |
My work is featured in Lucy R. Lippard’s book, Overlay;
Contemporary Art and the Art of Prehistory, published by Pantheon
Books, a division of Random House; works sited:Table of Noon/Mat
of the Moon and Geometry of Echoes Converge. |
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